Ulysses and the Sirens is a rare foray into the Classical world and he takes considerable liberties with his subject matter. Léon Belly was a French painter, best known for Orientalist works such as Pilgrims Going to Mecca and The Banks of the Nile. Now, they faced the challenge of the rock of Scylla and the whirlpool of Charybdis, gateway to Sicily. When they had passed the island and were beyond the Sirens’ call, the sailors removed the wax from their ears and untied their leader. On hearing the Sirens’ ‘honeyed song’, he asked his men to loosen the rope – even Odysseus, ‘Glory of the Greeks’, could not resist their call – but two of his comrades, Eurylochus and Perimedes, tightened it still more. On his decade long journey home to Ithaca from the Trojan Wars, Odysseus steered past their island and, on the advice of Circe, a lesser god and enchantress, he ordered his men to plug their ears with beeswax and bind him tightly with rope to the ship’s mast before they rowed the vessel at furious speed. The Sirens were creatures often depicted as half-woman, half-bird, who lured sailors to the rocky cliffs of their island home with beguiling voices which no man was able to resist. If I beseech you and command to set me free, you must increase my bonds and chain even tighter.

Bind me, to keep me upright at the mast, wound round with rope. And she says that I alone should hear their singing. She said we must avoid the voices of the otherworldy Sirens steer past their flowering meadow. A passage from book 12 of The Odyssey, in Emily Wilson’s acclaimed translation of Homer’s epic, sees the hero Odysseus, known in Latin as Ulysses, warn his men of an impending challenge:

Sirens & Muses by Antonia Angress